Bergamaska

Bergamaska-dance 16-17 centuries. in 2/4 or 4/4, took place from the Italian city of Bergamo. Shakespeare mentions to bergamaska in comedy A Midsummer Night's Dream, so that the dance was known in England as early as in 1916. In manuscripts of the time bergamaska has a melody, which is often a basso ostinato (ie constantly recurring ABC), with variations. Melody bergamaska recalled later German folk song Kraut und Rüben that was used D. Buxtehude and then introduced I. S. Bach in his Goldberg- variations. Today, not associated with the old bergamaska, performed in a lively pace, at 6 / 8 and a reminder of tarantella, used Alfredo Piatti in Bergamaske for music.

Bass impedance

Bass impedance (Fr. basse danse "low-dance"). Bass-impedance generic name not jump sliding "dance" in 1916. ; The first time they appear in the university courtyard. "Low-dance" was "high contrast Dance" (danse haute), which are typical of high jumps and podprygivaniya. Bass impedance was a ceremonial dance, similar to Polonaise, ie associated with shaking more than with dance as such. Bass impedance is the predecessor stamps. Dance could run as in dicotyledons (usually), and trilobate amount. Bass impedance consists of three parts : the bass impedance, a repetition (retour de la danse basse) and Tordion-dance. Bass impedance faded 16. , A displaced afresh.

Allemande

Allemande - fr. allemand – "German". Dance 16–18 centuries as follows from its name – a German origin. Similarly to pavan, allemande represents dance in the moderate rate and bipartite the size. This quiet dance usually followed recovered trilobate grinder. In claviern 18 century allemande cost to a suite on the first place; for it follow grinder, a saraband and jig. In the end 18 century allemande « German dance » at a rate of 3/4 or 3/8 – the predecessor of a waltz referred to. The general instructions: as a whole dance reminds moving figures to a musical casket. A maximum of grace, ease and lightness. The gentleman sets a direction of change of figures. Lady follows submission of the gentleman, but thus it cannot be absolutely passive – its problem easily to react to changes of a direction of movement, keeping grace of a porcelain figurine. Sharpness and "clumsiness" of movements are absolutely excluded.

Pop dance

Pop dance, dance spake stage, a small dance scene (dance miniatures), more entertainment. Built on short means dance expressiveness. Dance-pop origins in folk art, early forms of Soviet Russia in the statements dancer in Russian and gypsy chorus on popular galas (mid-19.) . Earlier in 1920. as performing arts genre emerged dance popular in the statements satirists and dancers, who started the tradition of the comedy numbers on the basis of folk (still in the contemporary pop and dance). Before the 1 st World War 1914-18 as performing artists were popular "salon" and "decadentstic" dances based on fashionable at the time Ballroom dancing (Tango, launch infuse etc.), more sophisticated elements acrobatic propes.